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Приказивање постова са ознаком najave. Прикажи све постове

субота, 5. мај 2012.

Najave za maj

U ponudi fantastike za mesec maj ove godine izdvojilo se nekoliko novih naslova. Na prvom mestu, valjda naglasiti da je svetlost knjižara ugledao (navodno) poslednji naslov iz serijala o telepatskoj konobarici Suki Stekhaus i njenim fengbeng pustolovinama. Ako sam se dobro sračunao, ovo je dvanaesti roman, a trinaesta knjiga u serijalu. Ako je zaista tačno da će ovo biti poslednji roman, Harisova je svega za dve knjige prešla preko granice mrcvarenja svog serijala. Naime, poslednja dva romana pročitao sam čisto reda radi i mahom uz zevanje. Gledajući Lorel Hamilton i Kim Haris, izgleda da je deset knjiga najveći mogući domet za jedan serijal, ako pisac hoće da taj serijal bude uspešan. Naravno, moglo bi se reći da je Džim Bučer izuzetak od tog pravila, ali Bučer je ipak u pretposlednjem romanu iz korena porušio sve što je gradio u prethodnim knjigama, te je praktično otpočeo novi serijal. No, o tome nekom drugom prilikom.

Deadlocked (Sookie Stackhouse, Book 12)It’s vampire politics as usual around the town of Bon Temps, but never before have they hit so close to Sookie’s heart…

Growing up with telepathic abilities, Sookie Stackhouse realized early on there were things she’d rather not know. And now that she’s an adult, she also realizes that some things she knows about, she’d rather not see—like Eric Northman feeding off another woman. A younger one.

There’s a thing or two she’d like to say about that, but she has to keep quiet—Felipe de Castro, the Vampire King of Louisiana (and Arkansas and Nevada), is in town. It’s the worst possible time for a human body to show up in Eric’s front yard—especially the body of the woman whose blood he just drank.

Now, it’s up to Sookie and Bill, the official Area Five investigator, to solve the murder. Sookie thinks that, at least this time, the dead girl’s fate has nothing to do with her. But she is wrong. She has an enemy, one far more devious than she would ever suspect, who’s set out to make Sookie’s world come crashing down.

Alchemist of Souls je roman koji sam na prvi mah preskočio. Čak mi se ni pogled nije zadržao na najavi. Međutim, knjiga je pokupila izvanredne kritike i odlično je primeljena kod publike. Spaja alternativnu istoriju sa fentezijem, što nije prvi put da se to dešava u istoriji fantastike - ali ne sećam se da je u skorije vreme neka knjiga tako spontano hajpovana. To jest, da pohvale stižu iz smera publike, a ne plaćenih kritičara.

The Alchemist of Souls: Night's Masque, Volume 1 by Anne Lyle



When Tudor explorers returned from the New World, they brought back a name out of half-forgotten Viking legend: skraylings. Red-sailed ships followed in the explorers’ wake, bringing Native American goods--and a skrayling ambassador--to London. But what do these seemingly magical beings really want in Elizabeth I’s capital?

Mal Catlyn, a down-at-heel swordsman, is seconded to the ambassador's bodyguard, but assassination attempts are the least of his problems. What he learns about the skraylings and their unholy powers could cost England her new ally--and Mal his soul.

Silence by Michelle Sagara je knjiga koja me je iznervirala. Zapravo, nakačio sam se na njen fentezi serijal Cast in... tako da sam se neprijatno iznenadio kada sam umesto novog Cast in... naslova dočekao nešto potpuno novo. Međutim, knjiga ima svega 256 stranica, tako da pretpostavljam da je pisana u nekim pauzama između ostalih knjiga - a pošto je roman urban fantasy, verovatno je reč o pokušaju autorke da opipa kako bi je to tržište prihvatilo. Reakcije čitalaca su više nego pristojne.

Silence by Michelle Sagara



It began in the graveyard…
Ever since her boyfriend Nathan had died in a tragic accident, Emma had been coming to the graveyard at night. During the day she went through the motions at her prep school, in class, with her friends, but that’s all it was. For Emma, life had stopped with Nathan’s death. But tonight was different. Tonight Emma and her dog were not alone in the cemetery. There were two others there--Eric, who had just started at her school, and an ancient woman who looked as though she were made of rags. And when they saw Emma there, the old woman reached out to her with a grip as chilling as death...
Emma was not quite like others teenagers. It was true that other girls had experienced grief. Other girls had also lost their fathers, or had their boyfriends die in a senseless accident. But though she hadn’t known it till that night in the graveyard, unlike those other girls, she could see, touch, and speak with the dead. In fact, Emma could draw upon the essence of the dead to work magic. That was what Necromancers did. But Emma had no desire to be a Necromancer. She just wanted to help the ghosts who walked the streets of Toronto, unable to escape from the land of the living. And that was just as well, because had she chosen the path of the Necromancer, Eric would have had to kill her.
Instead, Eric and his fellow Necromancer hunter Chase found themselves violating every rule they were sworn to follow, becoming part of Emma’s group, helping her to stand against those who preyed upon the dead. But whether Emma and her friends could survive such a battle was anyone’s guess. And whether Emma could learn to use the magic of the dead against her enemies without herself falling victim to the lure of such power remained to be seen. Eric seemed to think she could, and her living friends would never abandon her. But only time would tell what Emma’s true destiny was...


среда, 25. април 2012.

Leviathan Wakes by James S.A. Corey - najava

Dame i gospodo, da ne bude da serendam po blogu za džabe (premda ovo ne mora nužno da ima ikakve veze sa tim), u bliskoj budućnosti u prevodu na naš jezik pojaviće se

Leviathan Wakes by James S.A. Corey



Humanity has colonized the solar system - Mars, the Moon, the Asteroid Belt and beyond - but the stars are still out of our reach.

Jim Holden is XO of an ice miner making runs from the rings of Saturn to the mining stations of the Belt. When he and his crew stumble upon a derelict ship,
The Scopuli, they find themselves in possession of a secret they never wanted. A secret that someone is willing to kill for - and kill on a scale unfathomable to Jim and his crew. War is brewing in the system unless he can find out who left the ship and why.

Detective Miller is looking for a girl. One girl in a system of billions, but her parents have money and money talks. When the trail leads him to
The Scopuli and rebel sympathizer Holden, he realizes that this girl may be the key to everything.

Holden and Miller must thread the needle between the Earth government, the Outer Planet revolutionaries, and secretive corporations - and the odds are against them. But out in the Belt, the rules are different, and one small ship can change the fate of the universe.



Čisto da podsetim, sa jednim od dva autora ovog romana radio sam intervju, koji možete da pročitate na http://nightfliersbookspace.blogspot.com/2010/06/nightfliers-interviews-daniel-abraham.html

Po objavljivanju ovog romana na srpskom jeziku, nameravam da uradim novi intervju sa Denijelom, a možda i da organizujemo nekakvu promociju. Za sada ne mogu da kažem ništa o datumu izdavanja, niti o planovima izdavača - sem da prevod neću raditi ja, već daleko iskusniji kolega, koji je izvanredan izbor za prevođenje ovog romana. Nadam se da ću za jedno mesec dana moći da objavim nešto detaljnije.

понедељак, 23. април 2012.

Mongolijada

Ne znam da li sam ikada video duži spisak autora jednog romana, van Martinovih Wild Cards.

The Mongoliad: Book One (The Foreworld Saga) by Neal Stephenson (Author), Erik Bear (Author), Greg Bear (Author), Joseph Brassey (Author), E.D. deBirmingham (Author), Cooper Moo (Author), Mark Teppo (Author)



The first novel to be released in The Foreworld Saga, The Mongoliad: Book One, is an epic-within-an-epic, taking place in 13th century. In it, a small band of warriors and mystics raise their swords to save Europe from a bloodthirsty Mongol invasion. Inspired by their leader (an elder of an order of warrior monks), they embark on a perilous journey and uncover the history of hidden knowledge and conflict among powerful secret societies that had been shaping world events for millennia.

But the saga reaches the modern world via a circuitous route. In the late 19th century, Sir Richard F. Burton, an expert on exotic languages and historical swordsmanship, is approached by a mysterious group of English martial arts aficionados about translating a collection of long-lost manuscripts. Burton dies before his work is finished, and his efforts were thought lost until recently rediscovered by a team of amateur archaeologists in the ruins of a mansion in Trieste, Italy. From this collection of arcana, the incredible tale of The Mongoliad was recreated.

Full of high adventure, unforgettable characters, and unflinching battle scenes, The Mongoliad ignites a dangerous quest where willpower and blades are tested and the scope of world-building is redefined
.

Roman je po svemu sudeći nekakva alternativna istorija, po koncepciji veoma sličan onome što se danas kod nas piše. Dakle, reč je o istoriji kakva je mogla da bude, s tim da su razlike veoma suptilne i nekome ko nije makar površno upućen u istoriju mogu da deluju i nepostojeće.

Evo šta je jedan od autora ovog romana, Mark Tepo, imao da kaže o svemu tome:

 One of the comments I hear regularly when I tell people about The Mongoliad is "Oh, well, I don't read epic fantasy." They don't mean to be dismissive about it; they're just pointing out that, in all likelihood, they've already checked out of this conversation and the rest is simply going to be me talking to them while they think about butterflies or chocolate covered bonbons or the like. I'd don't really want to be dismissive in return,  because, really, "epic" and "fantasy" are two words that mean a lot more than the sort of thing that Tolkien wrote.

 Here's the thing: I understand labels. I understand genre marketing. I get that people like to put things in neat little boxes so that they know how to approach them. I also started off my career writing "urban fantasy" books that don't have werewolves, vampires, or the undead in them. I call the Codex books "occult noir" and no one understands what I'm saying; I say "urban fantasy" and we have, at least, a general starting point.

 For a moment, then, let's consider this claim that The Mongoliad is an epic fantasy. What's epic about it is the amount of research we did. We wanted to write a Western martial arts adventure story, one that was true to the actual fighting techniques of the time. Fighting techniques that are, only now, being rediscovered and taught in martial arts schools around the world. You know what? There's a lot more to fighting with a sword than simply hitting the other guy first.

 And as we went down the rabbit hole of martial arts, we realized we couldn't short-change the rest of the story as well. So, when we talk about how Rœdwulf's bow is constructed and how he fires it, it's because we dug up copies of Roger Ascham's Toxophilus, a 16th century manual of proper construction and use of the longbow. When we talk about the composition of the forests around Legnica, it's because we sourced--as near as we could fathom--historical data from Polish naturalists who are keen on the history of their local greenery. (We also had a list of about twenty bird species that were native to the area and we would have worked them all in somehow, but, well, we had to draw the line somewhere.) The point is: we wanted to get as many of the details right as we could, because history is so much, much more fantastic than you can ever imagine.

 We had a conversation once about where to file The Mongoliad. Was it alternate history? Not entirely. Was it a secret history? Somewhat. Did we make things up? Certainly. Did we stretch the truth a bit? Most definitely. Our knights, for example, use techniques that aren't entirely codified for another two hundred years (the key word here is "entirely"); their use of armor is about fifty years ahead of the rest of the Europe (they're bad-ass outliers, of course). And there are things that we make up entirely (the Binders, for instance). Oh, and the entire crypto-pagan mythology that underlies all of Foreworld?

 Well, I'll argue we didn't make that up, but then again, I'm the one who has a soft spot for esoteric mystery schools.

 You could argue the difference between science fiction and fantasy is the application of faith. The difference between regular fantasy and epic fantasy is then, perhaps, the amount of faith you have to bring with you when you read a story. We've written a story about medieval Europe, and guess what? They had a much, much different baseline for faith than we do now.

 It's just an adventure story, really, a long-form novel that illuminated a period of history that is wonderfully rich in both its belief systems, its technologies, and its martial arts. We call our version of history Foreworld, because it is a different state of the world. How much you believe what we've written is up to you, but I can tell you that both more and less of the work is true.

 In which case, maybe the best way to classify The Mongoliad is to call it an Epic Historical Fantasy.

петак, 20. април 2012.

Srebrne antologije

Od ovog meseca Bukspejs će dobiti neke nove sadržaje. Naime, blog neće biti posvećen samo prikazima i dužim tekstovima, već i kraćim najava i vestima. U tom duhu, evo kratkog osvrta na tri najavljena naslova, koja su mi skrenula pažnju u dovoljnoj meri da ih stavim na spisak knjiga za čitanje:

Ovog meseca nije se bogznašta pojavilo a da nije već bilo dostupno u obliku nekog ARCa, ili da nije reprint. Doduše, što se mene tiče, ovog meseca komotno nije moralo da izađe ništa sem Stoverovog Caine's Law - još samo da mi dopadne šaka.

Ali zato Tor kao nenormalan hajpuje svoju novu uzdanicu iz podžanra urbane fantastike, pod imenom Rhiannon Held i sa romanom-prvencem Silver



Andrew Dare is a werewolf. He’s the enforcer for the Roanoke pack, and responsible for capturing or killing any Were intruders in Roanoke’s territory. But the lone Were he’s tracking doesn’t smell or act like anyone he’s ever encountered. And when he catches her, it doesn’t get any better. She’s beautiful, she’s crazy, and someone has tortured her by injecting silver into her veins. She says her name is Silver, and that she’s lost her wild self and can’t shift any more.

The packs in North America have a live-and-let-live attitude, and try not to overlap with each other. But Silver represents a terrible threat to every Were on the continent.

Andrew and Silver will join forces to track down this menace while discovering their own power and their passion for each other.

Komentari čitalaca su krajnje loši. Naravno, meni sve vreme u glavi odzvanja pitanje - zašto kk Tor pokušava da uđe na tržište urbane fantastike i paranormalne romantike, kada očigledno nema urednike koji se snalaze u tom žanru? Pomalo me podsećaju na naše izdavače, koji biraju knjige tako što gledaju šta ima pet zvezdica na Amazonu (čast izuzecima).

Od zanimljivih novosti izdvojio bih i dve najavljene antologije. Prva je čedo neumornog Džona Džozefa Adamsa, koji je toliko vrstan urednik da je čak i mene ubedio da čitam kratke priče i novele.

Other Worlds Than These by John Joseph Adams



What if you could not only travel any location in the world, but to any possible world?
We can all imagine such “other worlds”—be they worlds just slightly different than our own or worlds full of magic and wonder—but it is only in fiction that we can travel to them. From The Wonderful Wizard of Oz to The Dark Tower, from The Golden Compass to The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.

Table of Contents
  • Foreword — Lev Grossman
  • Introduction — John Joseph Adams
  • Moon Six — Stephen Baxter
  • A Brief Guide to Other Histories — Paul McAuley
  • Crystal Halloway and the Forgotten Passage — Seanan McGuire
  • An Empty House With Many Doors — Michael Swanwick
  • Twenty-Two Centimeters — Gregory Benford
  • Ana’s Tag — William Alexander
  • Nothing Personal — Pat Cadigan
  • The Rose Wall — Joyce Carol Oates
  • The Thirteen Texts of Arthyria — John R. Fultz
  • Ruminations in an Alien Tongue — Vandana Singh
  • Ten Sigmas — Paul Melko
  • Magic for Beginners — Kelly Link
  • [A Ghost Samba] — Ian McDonald
  • The Cristobal Effect — Simon McCaffery
  • Beyond Porch and Portal — E. Catherine Tobler
  • Signal to Noise — Alastair Reynolds
  • Porridge on Islac — Ursula K. Le Guin
  • Mrs. Todd’s Shortcut — Stephen King
  • The Ontological Factor — David Barr Kirtley
  • Dear Annabehls — Mercurio D. Rivera
  • The Goat Variations — Jeff Vandermeer
  • The Lonely Songs of Laren Door — George R. R. Martin
  • Of Swords and Horses — Carrie Vaughn
  • Impossible Dreams — Tim Pratt
  • Like Minds — Robert Reed
  • The City of Blind Delight — Catherynne M. Valente
  • Flower, Mercy, Needle, Chain — Yoon Ha Lee
  • Angles — Orson Scott Card
  • The Magician and the Maid and Other Stories — Christie Yant
  • Trips — Robert Silverberg
  • For Further Reading — Ross Lockhart


Ova antologija ne sadrži originalne priče, koliko mogu da vidim. Na primer, Martinova je objavljena marta meseca prošle godine i može da se pročita na http://www.fantasy-magazine.com/new/new-fiction/the-lonely-songs-of-laren-dorr/ Međutim, pobrojani pisci su vrhunski predstavnici onoga što braća Ameri zovu Fantastika (to što mi govorimo SF i fentezi, a Ameri "Fantastika" beskrajno mi je zabavno), tako da sam u iskušenju da počnem da skupljam Adamsove antologije.

Takođe je predstavljena i antologija

The Apex Book of World SF 2 by Lavie Tidhar



[quote]An expedition to an alien planet; Lenin rising from the dead; a superhero so secret he does not exist; in The Apex Book of World SF 2, World Fantasy Award nominated editor Lavie Tidhar brings together a unique collection of stories from around the world. Quiet horror from Cuba and Australia; surrealist fantasy from Russia and epic fantasy from Poland; near-future tales from Mexico and Finland, or cyberpunk from South Africa: in this anthology one gets a glimpse of the complex and fascinating world of genre fiction – from all over our world. Featuring work from noted international authors such as Will Elliot, Hannu Rajaniemi, Shweta Narayan, Lauren Bukes, Ekaterina Sedia, Nnedi Okorafor, and Andrzej Sapkowski.

Table of Contents
  1. “Alternate Girl’s Expatriate Life” by Rochita Loenen-Ruiz
  2. “Mr. Goop” by Ivor W. Hartmann
  3. “Trees of Bone” by Daliso Chaponda
  4. “The First Peruvian in Space” by Daniel Salvo (translated by Jose B. Adolph)
  5. “Eyes in the Vastness of Forever” by Gustavo Bondoni
  6. “The Tomb” by Chen Qiufan (translated by the author)
  7. “The Sound of Breaking Glass” by Joyce Chng
  8. “A Single Year” by Csilla Kleinheincz (translated by the author)
  9. “The Secret Origin of Spin-Man” by Andrew Drilon
  10. “Borrowed Time” by Anabel Enríquez Piñeiro (translated by Daniel W. Koon)
  11. “Branded” by Lauren Beukes
  12. “December 8th” by Raúl Flores (translated by Daniel W. Koon)
  13. “Hungry Man” by Will Elliott
  14. “Nira and I” by Shweta Narayan
  15. “Nothing Happened in 1999” by Fábio Fernandes
  16. “Shadow” by Tade Thompson
  17. “Shibuya no Love” by Hannu Rajaniemi
  18. “Maquech” by Silvia Moreno-Garcia
  19. “The Glory of the World” by Sergey Gerasimov
  20. “The New Neighbours” by Tim Jones
  21. “From the Lost Diary of TreeFrog7” by Nnedi Okorafor
  22. “The Slows” by Gail Hareven (translated by Yaacov Jeffrey Green)
  23. “Zombie Lenin” by Ekaterina Sedia
  24. “Electric Sonalika” by Samit Basu
  25. “The Malady” by Andrzej Sapkowski (translated by Wiesiek Powaga)
  26. “A Life Made Possible Behind The Barricades” by Jacques Barcia

Ovoga puta nema Srba (u prošloj antologiji je bio zastupljen Živković), ali zato ima Poljaka, Rusa i raznoraznih Afrikanaca.

Sve u svemu, čini mi se da imamo još pisaca pored Živkovića koji zaslužuju da se nađu u ovakvoj jednoj zbirci. Bakić, Nešić, Jakšić, a siguran sam i neki mlađi pisci, u ovakvoj jednoj antologiji osećali bi se kao kod kuće. Skrobonju i Kneževića neću ni da ističem posebno, pošto su i jedan i drugi već objavljivani na trulom zapadu.